September 8, 2013 7 Comments
Version : 1.0 – Living blog – First version was 08 September 2013
This is the fourth post of a series about simulating rain and its effect on the world in game. But it could be read without reading the previous post. The subject is “the reflection”. The post is split in two parts A and B:
Water drop 1 – Observe rainy world
Water drop 2a – Dynamic rain and its effects
Water drop 2b – Dynamic rain and its effects
Water drop 3a – Physically based wet surfaces
Water drop 3b – Physically based wet surfaces
Water drop 4a – Reflecting wet world
Water drop 4b – Reflecting wet world
When a world scene is totally wet, the most striking visual cue is the reflected environment. Of course all surfaces permanently reflect their surrounding but this is more visible under rainy day. The topic of this post is “reflection”. The reflections as we see it in real world includes all the surrounding lighting. When we talk about reflection in game, too often we restrict this to water or smooth surfaces reflection. But “reflection” is just a convenient word to designate the normal lighting process. In game we separate lighting as direct, indirect and emissive. If you handle direct and indirect lighting on any kind of surfaces from smooth to rough, you have your reflections. There is no need of a particular process for it.
For Remember Me we decided to go this way. To get a good rainy mood, we were looking for having reflection everywhere on every surface. For example, we use the same process to get reflection on rocks as well as in puddles.
Reflection – Theory
The observation post already presents many pictures illustrating reflection. But I will present some others here to highlights some characteristic of reflections.
Reflection with smooth surfaces
Let’s consider à perfectly smooth surface. Most people think that the reflection of a scene in surface like calm water or mirror is the scene itself upside down.
But this is a really wrong assumption. The reflection depends on the distance from reflected objects and the viewer’s position.
The differences become smaller, the closer we bring our eyes to the reflecting surfaces and the farther away the objects are. On the pictures below, see how Mickey Mouse is hidden by the blue cow until you reach a glazing angle with the mirror.